Fellowship x @artxcode_io 自豪地呈现： RECURSIONS 遞迴 → @sougwen 的新作个展，将于2026年在 @ArtBasel 香港举行，这是艺术家在展会上的首次个展展位。 VIP 开幕：2026年3月25日 展览时间：2026年3月26日至29日 ↓ 详细信息如下

→ About the artist: Sougwen 愫君 Chung (b. 1985) is a Chinese-Canadian artist and researcher, widely regarded as a pioneer in human–machine collaboration. Their work MEMORY (Drawing Operations Unit: Generation_2) is part of the permanent collection of the Victoria and Albert Museum, becoming the first AI model collected by a major cultural institution. Chung’s multidisciplinary practice spans installation, drawing, performance, and sculpture in dialogue with robotics, machine learning, and bio-sensing. Since 2015, they have developed the Drawing Operations series, a landmark inquiry into the aesthetics of symbiosis between human and machine. Named one of TIME’s 100 Most Influential People in AI and honored with its Global Impact Award, Chung is the founder of SCILICET, an experimental studio based in London. 🔗 Full biography →

→ 关于这个系列： RECURSIONS 标志着从现场表演到绘画的关键扩展，结合了绘画、绘图、机器人技术和基于光的装置，探讨当手势不再由单一的手创作，而是通过人类与机器之间的反馈而产生时，手势从何而起。

演示的中心是《递归 0 (2026)》，一幅宏伟的卷轴。一个动感的机器人系统，经过数十年的钟氏手势数据和响应生物传感器输入的训练，实时扩展并回响艺术家的动作，记录在亚麻布上，这是一种积累的表面，记录了具身意图与机器响应之间的递归交流。

六幅相关的画作，RECURSION 1–6（2026），将这一持续的过程提炼为离散的迭代。在卷轴表现持续性的同时，画作则将其固定：标记的积累没有层级，而剩下的不是起源与回声之间的区别，而是一个单一的分层表面，其中两者同时存在。

RECURSION Dataset 1314 transposes the investigation of gesture into light. The dataset comprises 1,314 drawings, invoking the Chinese homophone 一三一四 ("one three one four"), which sounds like 一生一世 ("for a lifetime”), speaking to the devotional commitment of artistic practice. Three decades of the artist's drawing data, the last ten co-produced with the D.O.U.G. robotic system, cycle across a suspended LED mesh. The traces shift in real time as accumulated attention, registered through brainwave activity, is compressed into luminous, slowly evolving forms. The work proposes attention as duration: sustained, and made visible.

这些作品共同扩展了钟（Chung）对他所称的操作艺术（Operational Art）的持续探索：这是一个关于人类、机器和环境之间共同创造的协议、伦理和条件的框架。在这里，合作超越了方法，演变为一种生态，其中代理权被分配，共存变得与创作不可区分。